I used many layers of a poster I found on the ground in Paris with handmade painted papers and acrylic gel. I sanded in between leaving torn paper and scratches in areas. My interest in this piece is the quality of the surface. During the process I made marks with permanent pens and acrylic paints. Gluing on torn papers and tearing off with sanding.
When I travel I love to photograph graffiti and other interesting walls and doorways . Europe has some amazing street art, while, my hometown in Melbourne, Australia, is known as one of the world’s great street art capitals for it’s street art and graffiti. Street Art Melbourne
This challenge has been more liberating in more ways than one. Only using glue, scissors and magazine cut outs, I created a series of collages in ’60s style and finally got the chance to use some of my vintage magazines for art.
A new collage using vintage postcards and photos. I used a beautiful Japanese prayer card a square of gold cardboard from a box of French chocolates, a vintage photograph of Mt. Fuji and orangy twine with a tiny cut- out from a vintage postcard. Handwritten words on Japanese paper.
A Japanese friend of mine translated the prayer card for me.
It’s an ancient prayer for a well balanced, happy life.
Another abstract composition created with fabrics. I pretty much gravitate more towards abstraction ideas in my work, rather than representation , as this is how I see the world…
For this piece I used a canvas board with a layer of aged cotton canvas glued on top. Next a layer of hand-dyed, aged scrim torn and tattered. Another piece of canvas and vintage tablecloth scrap. I then attached a vintage button with old string and kept going over the piece, sewing in between in areas, finishing with some mark-making using a textile pen.
Black and white study for collage course. We were asked to create a collage using only black and white materials. I loved this exercise and found myself wanting to add some colour…I couldn’t resist and made 2 collages.
I collected 2 canvas boards, black and white vintage papers, wallpaper and newer paper.
As in abstract painting, I like to work quickly and not worry too much about leaving marks and splotches as I’m doing. In some areas I made marks with felt pens and white gesso paint trying to blend the different textures and areas.
I also explored Stephanie’s idea and used some glitter paint mixing it with gesso so it became a greyish colour. I like the end result but may go further and sand back the whole lot, giving it a worn-out appearance.